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		<title>REAL INDUSTRY TALK</title>
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		<title>Compulsory License</title>
		<link>http://realindustrytalk.com/2012/05/25/compulsory-license/</link>
		<comments>http://realindustrytalk.com/2012/05/25/compulsory-license/#comments</comments>
		<pubDate>Fri, 25 May 2012 13:00:42 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
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		<guid isPermaLink="false">http://realindustrytalk.com/?p=970</guid>
		<description><![CDATA[effrey Brabec, Vice President of Business Affairs for the Chrysalis Music Group, talks about compulsory licenses. Compulsory licenses are an exception to copyright law in regards to songs. They allow anyone to re-record a song without the permission of the music publisher, provided the person pays the statutory rate and the song has been recorded [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=970&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>What is Work for Hire &amp; How Does it Affect You As an Artist?</title>
		<link>http://realindustrytalk.com/2012/05/24/what-is-work-for-hire-how-does-it-affect-you-as-an-artist/</link>
		<comments>http://realindustrytalk.com/2012/05/24/what-is-work-for-hire-how-does-it-affect-you-as-an-artist/#comments</comments>
		<pubDate>Thu, 24 May 2012 19:00:11 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://realindustrytalk.com/?p=974</guid>
		<description><![CDATA[Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, discusses the &#8220;work for hire&#8221; provision of US copyright law, and how it affects &#8212; and does not affect &#8212; sound recordings made under a recording contract Filed under: Distribution<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=974&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Protecting Your Work: Understanding Publishing, Copyright, and Work For Hire</title>
		<link>http://realindustrytalk.com/2012/05/24/protecting-your-work-understanding-publishing-copyright-and-work-for-hire/</link>
		<comments>http://realindustrytalk.com/2012/05/24/protecting-your-work-understanding-publishing-copyright-and-work-for-hire/#comments</comments>
		<pubDate>Thu, 24 May 2012 17:00:20 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
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		<description><![CDATA[Russell Rains, Director of the MBA Program in Digital Media Management Program at St. Edwards College in Austin TX, explains what a work for hire deal is in the context of a recording or songwriting contract, and why its beneficial for artists to control their own copyrights instead of entering into a work for hire [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=972&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Work for Hire</title>
		<link>http://realindustrytalk.com/2012/05/24/work-for-hire/</link>
		<comments>http://realindustrytalk.com/2012/05/24/work-for-hire/#comments</comments>
		<pubDate>Thu, 24 May 2012 15:00:54 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
				<category><![CDATA[Distribution]]></category>

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		<description><![CDATA[Jeffrey Brabec, Vice President of Business Affairs for the Chrysalis Music Group, talks about work for hire. Work for hire occurs when a writer or composer writes a song for a film, television show, or commercial. However, the publishing company becomes the legal author of the work. Brabec points out that the songwriter or composer [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=967&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Marketing Plan Tactics For Independent Musicians &#8211; Part 2 of 3: Album Launch BY: Ariel Hyatt</title>
		<link>http://realindustrytalk.com/2012/05/24/marketing-plan-tactics-for-independent-musicians-part-2-of-3-album-launch-by-ariel-hyatt/</link>
		<comments>http://realindustrytalk.com/2012/05/24/marketing-plan-tactics-for-independent-musicians-part-2-of-3-album-launch-by-ariel-hyatt/#comments</comments>
		<pubDate>Thu, 24 May 2012 13:00:17 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://realindustrytalk.com/?p=957</guid>
		<description><![CDATA[The first piece in this 3 part series discussed steps you should take before you start promoting a new album, such as having your online presence all in order. In Part 2, I will go over some basic elements for, yep you guessed it, promoting a new album. Album Pre-Sale A great way to build [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=957&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>What Should a Publisher Be Doing For You?</title>
		<link>http://realindustrytalk.com/2012/05/23/what-should-a-publisher-be-doing-for-you/</link>
		<comments>http://realindustrytalk.com/2012/05/23/what-should-a-publisher-be-doing-for-you/#comments</comments>
		<pubDate>Wed, 23 May 2012 19:00:56 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://realindustrytalk.com/?p=965</guid>
		<description><![CDATA[Todd Brabec, Executive Vice President of ASCAP, discusses what a publisher does for an artist, from aggressively exploiting an artist&#8217;s catalog to collecting and dividing revenues properly. He also describes a few alternatives to traditional publishing deals. Filed under: Distribution<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=965&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Ovation: Sell Live Recordings Right After The Show by Clyde Smith</title>
		<link>http://realindustrytalk.com/2012/05/23/ovation-sell-live-recordings-right-after-the-show-by-clyde-smith/</link>
		<comments>http://realindustrytalk.com/2012/05/23/ovation-sell-live-recordings-right-after-the-show-by-clyde-smith/#comments</comments>
		<pubDate>Wed, 23 May 2012 17:00:48 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://realindustrytalk.com/?p=962</guid>
		<description><![CDATA[Offering fans the opportunity to purchase live recordings right after a great show could be a powerful future revenue stream for musicians, and Migratory Music is offering the Ovation Tower as one solution. Their kiosk allows fans to purchase a recording of the show and download it as an MP3 or have a download link [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=962&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Monetizing Music Videos &amp; Live Shows With Evinar &amp; Gyroskope by Clyde Smith</title>
		<link>http://realindustrytalk.com/2012/05/23/monetizing-music-videos-live-shows-with-evinar-gyroskope-by-clyde-smith/</link>
		<comments>http://realindustrytalk.com/2012/05/23/monetizing-music-videos-live-shows-with-evinar-gyroskope-by-clyde-smith/#comments</comments>
		<pubDate>Wed, 23 May 2012 15:00:44 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://realindustrytalk.com/?p=959</guid>
		<description><![CDATA[Both Evinar and Gyroskope are services that musicians can use to monetize streaming video. Evinar focuses on livestreaming via Facebook while Gyroskope features videos for which customers pay to stream as often as they like. Neither service is exclusive to musicians but both seem potentially useful to musicians attempting to diversity their revenue streams. Please [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=959&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Marketing Plan Tactics For Independent Musicians &#8211; Part 1 of 3: New Album Preparations BY: Ariel Hyatt</title>
		<link>http://realindustrytalk.com/2012/05/23/marketing-plan-tactics-for-independent-musicians-part-1-of-3-new-album-preparations-by-ariel-hyatt/</link>
		<comments>http://realindustrytalk.com/2012/05/23/marketing-plan-tactics-for-independent-musicians-part-1-of-3-new-album-preparations-by-ariel-hyatt/#comments</comments>
		<pubDate>Wed, 23 May 2012 13:30:06 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
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		<guid isPermaLink="false">http://realindustrytalk.com/?p=955</guid>
		<description><![CDATA[Chris Hacker here, I create Marketing Plans for artists at Cyber PR® and really enjoy working with my many clients. I’ve noticed a huge problem though. Artists call the Cyber PR® offices all the time looking for us to promote their new album, totally fine of course, but the problem lies in that many of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=955&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>13 Step Guide To Building A Cult Of Superfans by Clyde Smith</title>
		<link>http://realindustrytalk.com/2012/05/22/13-step-guide-to-building-a-cult-of-superfans-by-clyde-smith/</link>
		<comments>http://realindustrytalk.com/2012/05/22/13-step-guide-to-building-a-cult-of-superfans-by-clyde-smith/#comments</comments>
		<pubDate>Tue, 22 May 2012 19:00:24 +0000</pubDate>
		<dc:creator>Real*Industry*Talk</dc:creator>
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		<guid isPermaLink="false">http://realindustrytalk.com/?p=951</guid>
		<description><![CDATA[While reading a recent set of tips for turning your fans into superfans, I was struck by how the list and related explanations made it sound like they were describing how to build a cult. If that sounds a bit too sinister, perhaps thinking of turning your fans into superfans by treating them like insiders [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=realindustrytalk.com&#038;blog=30865180&#038;post=951&#038;subd=realindustrytalk&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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